故事(👷)分成三個(gè )章節(🥇):主要的章節(jiē )由高達親自(🕟)飾(shì )演導演,正要趕乘飛機,在(🥈)24小時(🍖)內把一部電影的(de )菲林(📿)交給監製;同(❣)時一隊(duì )二人流行電子音(yīn )(🕔)樂組合,不斷(🛍)排(pái )(🎡)練(liàn )歌曲(👁),最後在(zài )路上表演;另(lìng )一邊廂,愚笨的(🗑)大肥佬捲入(😻)一宗(zōng )事(shì )件,被神秘(😱)女人(rén )密切監視,最後更被(🔩)拘捕。三段故事看似毫無關(guān )連,實際是高(🥔)達以電影來討(✋)論電影(🙌)製(zhì )作和(🌞)藝(yì )術(shù )(㊙)創(👓)作的(de )(🙉)重要。片名看似帶有(🤷)弦外之音,就像高達暗示,假如監製或其他人(rén )要(yào )干擾(🕯)導演(yǎn )的藝(yì )術創作(zuò ),就索性我行我素,忠於(yú )自己的道(dào )路好(hǎo )了。這大(🥋)概亦示範了高達(💹)如何純熟(😝)地運用(🙎)電(diàn )影媒(🐡)體(🈺)來(lái )做評(🔍)論(😙)。 A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.